NEWS

Hannah Schneider on the cover of Classical Music Magazine 
01.2019

On her appointment as assistant conductor of the Oxford Philharmonic Orchestra: 

Schneider 'seemed the ideal candidate...The orchestra has recently announced the creation of a new assistant conductor position... Schneider's appointment is part of securing the long-term future of the orchestra.'  (Pictured left) 

 

Feature on Schneider and Oxford Alternative Orchestra in The Oxford Times 
01.2019

'Hannah was inspired to start Oxford Alternative Orchestra out of a desire to challenge traditional ideas about repertoire and concert venues.'  

-Nicola Lisle (article pictured left) 

Schneider conducts the Oxford Premiere of Steve Reich and Beryl Korot's The Cave; Daily Info calls it 'mesmerising' 
05.2019
Schneider conducts the Oxford Premiere of Steve Reich and Beryl Korot's The Cave; Daily Info calls it 'mesmerising' 
05.2019

‘A mesmerising cut up of thoughtful voices, kind faces, sacred texts and masterful minimalism...don't miss it.' 

-Jeremy Dennis

Daily Info on calls Eugene Onegin 'Masterful and Rewarding'
02.2019

Music Director Hannah Schneider’s masterful pace and phrasing of the fluent orchestra enriched Sean Kelly’s sparse but effective staging... Rarely have I seen a production with suffering so palpable and nuanced.

-Alison Boulton

Oxford Prospect on Schneider's Eugene Onegin 
02.2019

'the orchestra played smoothly and at a good level and the conductor Hannah Schneider pursued a whole hand, adjusting to changes in the music’s nature...this event was successful and entertaining.'

-Alicja Zurawska 

   

'the orchestra played smoothly and at a good level and the conductor Hannah Schneider pursued a whole hand, adjusting to changes in the music’s nature...this event was successful and entertaining.'

-Alicja Zurawska 

   

Schneider debuts at the International Port-Petrovsky Festival in Makhachkala, Russia
06.2019
Schneider debuts at the International Port-Petrovsky Festival in Makhachkala, Russia
06.2019
Schneider debuts as guest Conductor with Ballet Hartford and joins the artistic staff
12.2018

Schneider led two performances of Elizabeth Macmillan's The Messiah as a ballet. 

Oxford Culture Review on La Traviata 
07.2018

‘Hannah Schneider conducted her orchestra attentively and created a dialogic relationship with the singers, at times driving the pace, yet never overpowering the voices… the performance as a whole was impressive and moving, building from a playful and energetic opening to an emotional finale’

- Russell Bogue 

‘Hannah Schneider conducted her orchestra attentively and created a dialogic relationship with the singers, at times driving the pace, yet never overpowering the voices… the performance as a whole was impressive and moving, building from a playful and energetic opening to an emotional finale’

- Russell Bogue 

'A Serious spectacle of operatic drama' 
The Cherwell on Schneider conducting the Oxford premiere of Harrison Birtwistle's operaThe Corridor
07.2018

'The cast, the crew and the musical players keep the audience absolutely riveted from the outset and throughout.'

-Isaac Pockney

Daily Info on Schneider's interpretation of Holst's The Planets 
03.2018

‘She managed perfectly the timeless effect of 'Saturn', building inexorably to the crescendo where the brass pounded tellingly’

-Andrew Bell 

Praise for Schneider's interpretation of Tchaikovsky's Symphony No. 4

'Although her interests extended far beyond the Russian sphere, this is clearly some of the music Schneider knows and loves best. It was in this half that she particularly came into her own, demonstrated a nuanced knowledge of the score and a great depth of musicality...it was an all-around brilliant concert.' 

- Emily Hazratti, Oxford University Music Society Magazine   

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